Music blog

CECIA: Open Call for Composers Deadline: April 30, 2019 CECIA (Collaborative Electroacoustic Composition with Intelligent Agents) is an innovative art project that integrates the creative agency of 5 composers and [...]

Call for Applications: KEAR Two-Week Electroacoustic Composer/Researcher Residency 2019-20 APPLICATION DEADLINE: Midnight (Eastern Standard Time) Monday 25 February 2019 AWARD: Travel funding, housing, and stipend Application information and link to APPLY: visit website Studio [...]

Department of Music  University of California San Diego     The Department of Music at the University of California San Diego (music.ucsd.edu) invites applications for an Assistant Teaching Professor in [...]

Hello everyone [en français plus bas], You’ll find below a call for works for a mini-concert in Octandre’s next season. Please send the works to both octandre.contact@gmail.com and 0paulhusky0@gmail.com before January 1st 2019. Works will [...]

Ninth International Conference Music/Sonic Art: Practices and Theories At the Interface of Practice and Theory: Revisiting the Artistic Research Debate MuSA 2018 – Karlsruhe (IMWI) 28 June – 1 July [...]

We are particularly keen to encourage applications in contemporary musicology, electroacoustic music, sonic art, installation, mixed music, audiovisual music. The scheme facilitates practice-led research where there is a strong element [...]

Online application Giga-Hertz Award 2018 Period of Submission: 15.3.2018 – 31.5.2018 The Giga-Hertz Award comprises a total of two special awards for electronic and acousmatic music. Their goal is to [...]

We are now open for applications to our residencies dedicated to work with surround sound in 2019. Application deadline is April 1st Composers and sound artists, both Nordic and International, who [...]

Call for sound proposals: INTER- #11 (5.1, quad, stereo, other) - deadline *Fri 9th Feb*. INTER- is a quarterly spatial audio event event series presenting sound art and experimental studio [...]

Electroacoustic Music Studies Conference 2018 Deadline for paper submission: 15 JANUARY 2018 Announcement of the results: 28 FEBRUARY 2018 Conference website: http://www.ems-network.org/ems18/index.html Call for Papers: The Electroacoustic Music Studies Network 2018 will take [...]

Call for Installations, Music, Panel Proposals, Papers, and Workshop Proposals The International Computer Music Conference (ICMC) 2018 invites submissions of installations, music, panel proposals, papers, and workshop proposals to be held inDaegu, South Korea from August 5-10 2018. Celebrating our [...]

((( MUME 2018 ))) The 6th International Workshop on Musical Metacreation http://musicalmetacreation.org June 25-26, 2018, Salamanca, Spain. MUME 2018 is to be held at the University of Salamanca in conjunction [...]

Dear Colleagues, Next semester I am starting the Rutgers Interactive Music Ensemble (RIME), a performance ensemble that incorporates technology, including laptops, controllers, sensors, and robots, with acoustic instruments. I am looking for [...]

BANGOR MUSIC FESTIVAL Call for works, stereo or multi-channel acousmatic We invite submissions of stereo or multi-channel acousmatic works for a concert on a SPACE theme (that is, stars, planets, galaxies, the cosmos etc.) [...]

3° CONCORSO NAZIONALE SCUOLE IN MUSICA riservato agli studenti delle Scuole Secondarie di I grado ad Indirizzo Musicale e dei Licei Musicali e Coreutici 1° PREMIO MUSICALE “LÀSZLÒ SPEZZAFERRI” riservato agli studenti dei Conservatori [...]

Improtech Paris - Philly 2017 Workshop - Festival, December 11th - 13th, 2017 in Philadelphia http://ikparisphilly.ircam.fr/ 11th - 13th, Workshop keynotes, presentations, demos and performances at U.Penn, Drexel U. and ICA, from 9:30 [...]

Improtech Paris - Philly 2017 Musical improvisation with digital intelligence (IDI) Workshop - Festival, December 11th - 13th, 2017 at the University of Pennsylvania 11th - 13th, Workshop keynotes, presentations, demos and [...]

Le dispositif de compositeurs associés dans les scènes pluridisciplinaires cofinancé par la SACEM et la DGCA Le but de ce dispositif est de proposer aux directeurs de scènes pluridisciplinaires ou [...]

Festival : ISCM - World Music Days Dates : 19 au 26 mai 2018 Lieu : Pékin, Chine L’ISCM - International Society for Contemporary Music lance un appel à œuvres pour les prochains [...]

La Fondation Destellos annonce son appel d'œuvres pour le onzième Concours de Composition Électroacoustique et Vidéo Musique. Cette année, la fondation est parrainée par la Fondation Rencontres Internationales de Musique [...]

Octandre cherche des oeuvres binaurales pour une session d’écoutes au casque le 16 décembre. Les œuvres seront considérées au fil de leur réception. Détails de l’appel : http://octandre-asso.org/activites/appels/appel-a-oeuvres-binaurales-2017-2018/   Octandre is calling [...]

Deadline: 17.00 (GMT), Friday 5th January 2018.   In the forty years since the release of Brian Eno’s Music for Airports the concept and aesthetics of ambient music have proliferated, influencing artists as [...]

SOUND/IMAGE 2017 takes place this weekend at the University of Greenwich, 10th, 11th and 12th November. The Sound/Image colloquium explores the relationships between sounds and images, and the images which sounds can construct [...]

Presented by Foundations for Emerging Technologies and Arts Overview:  The FETA Prize in Sound Art was established in 2013 to promote a broad range of contemporary American sound and installation [...]

KEAR Two-Week Electroacoustic Composer/Researcher Residency 2017-18 - Residency for SPRING 2018 APPLICATION DEADLINE: Midnight (Eastern Standard Time) Friday 17 November 2017 AWARD: Travel funding, housing, and stipend APPLY: complete the application STUDIO INFORMATION: visit website BGSUElectroacoustics welcomes [...]

VISUAL-MUSIC & TRANSDISCIPLINARY FULLDOME EXPERIENCES A lecture by Ricardo Dal Farra Early experiments in visual-music were joining new technologies with an explosion of innovative explorations in creating new forms of [...]

Volume 24, Number 2 Issue thematic title: Borrowing, quotation, sampling and plundering Date of Publication: August 2019 Publishers: Cambridge University Press   Issue co-ordinators: Manuella Blackburn (blackbm@hope.ac.uk) and Raúl Minsburg (rminsburg@untref.edu.ar)   Deadline [...]

1. Festival "En Chair et en son" 2. Séminaire Atelier #1 : Partitions « Observer/Conserver » 3. Radio : Territoires du son 1. EN CHAIR ET EN SON #3 du [...]

Issue thematic title: Perceptual Issues Surrounding the Electroacoustic Listening Experience Date of Publication: April 2019 Publishers: Cambridge University Press   Issue co-ordinator: Sven-Amin Lembke (sven-amin.lembke@dmu.ac.uk)   Deadline for submission: 15 May 2018   [...]

We are delighted to announce the call for submissions for the 2017 SOUND / IMAGE Colloquium, 10-12 November 2017 at the University of Greenwich, London. Through a series of complementary strands – [...]

BEAST FEaST 2018: BEASTopia! Thursday 26 – Saturday 28 April 2018 University of Birmingham, UK Three days of music, meeting and ideas   CALL FOR WORKS: http://www.beast.bham.ac.uk/beast-feast-2018/   BEASTopia! Ideas of democracy and [...]

Open call for III FIME – Festival Internacional de Música Experimental The III FIME – Festival Internacional de Música Experimental (International Experimental Music Festival) will take place in São Paulo [...]

LES 5 STAGES D’ÉTÉ DE M&R  Max for Beginners - du 1-08-2017 au 6-08-2017 par Benjamin Thigpen Toutes les infos ici. Advanced Topics in Max - du 8-08-2017 au 13-08-2017 par Benjamin [...]

ISMIR 2017 will host a community performance night. The program will be made of a selection of submitted and invited pieces. Please find below the call for music. For more [...]

Juni 2017 Liebes Publikum Wie wird eigentlich aus einer neuen Komposition eine aufführungsreife Interpretation? Der Komponist Martin Jaggi und das Mondrian Ensemble laden mit ihrem Format «Partitur» zu einer kommentierten öffentlichen Probe [...]

X° Destellos Competition 2017 The Foundation Destellos, call for works for the  Competition of Electro-acoustic Composition, open to composers of any nationality, age and gender. The deadline has been extended [...]

We welcome the participation of artists and musicians from a wide variety of backgrounds, based in the Nordic and Baltic states. The accepted artist will have travel expences and accomodation [...]